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This classic blues lick can be found in T-Bone's Walker's
solo at 1:30, during the first six bars of the second 12-bar chorus, moving through the
I-IV-I chord progression. The whole phrase is in G minor pentatonic and is played in the
standard blues-box position at the 3rd fret yet The repeating bend riff, the
pull-off lick and the thematic descending line are three main points to explore.
- The idea of locking in with the pulse of the song on one
note, and bending that note in a repeating, steady quarter-note rhythm, is a fixture
of rock and modern blues style. It reduces the feel of the phrase to its most fundamental
component: pure rhythm. This is what we find in bars 1
through 3.
- In bar 4, we hear a pull-off lick which was a favorite
motif in Jimi Hendrix's style and is now a standard cliche for all guitar players. Most rock and blues guitarists use this motif as an
all-important nucleus idea, often to be repeated in ostinato form--as Hendrix did in his "Spanish Castle Magic" solo (see
Jimi's solo: bars 7 and 8). Compare the melodies and see for yourself!
- The descending lick in bars 5 and 6 is a classic horn line
applied to guitar, and again locks in soldly with the quarter-note pulse of the song's groove.
This lesson in Interactive TAB.
Click here: T-Bone Walker
Fact Sheet
For more on T-Bone Walker, the pentatonic scales, blues
guitar, the box position, fingering tips, 12-bar song form, bending technique, and
ostinato, stayed tune to WOLF MARSHALL'S GUITARLAND.
Questions?
wolf@wolfmarshall.com.
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